John Lovett had his first one-man exhibition in 1973 at the age of 19 and has been painting and teaching ever since. His unique interpretation of his subject has a vitality that is enhanced by his use of light, vibrant colour and strong sense of design. John’s passion for his work and his open easy approach to teaching make his books, DVD’s and workshops thoroughly enjoyable, extremely informative and always very popular.
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DAY 1 Thursday 1 February, 2024
Smithton
Workshop members will be met at Launceston
city at 11.30am or Launceston airport at 12.00pm
midday, and transferred to the beautiful town
of Smithton. Tonight the group will meet for
welcome drinks and an included dinner.
DAY 2: Friday 2 February, 2024
Smithton
This morning John will commence his first
painting workshop with a demonstration and then
assist workshop members individually with their
work in the beautiful town of Smithton. On a clear
day, you might be lucky enough to see Perkins and
Robbins Islands off in the Bass Strait. This pretty
little coastal town sits right on Duck Bay. Tonight
we will enjoy an included dinner.
DAY 3 Saturday 3 February, 2024
Smithton
Today we travel to the town of Stanley. On arrival
in this historic town, we will take the chairlift up
to The Nut, the remains of an ancient volcanic
plug. Enjoy the fantastic 360 degree view over
the town of Stanley, the sea and the spectacular
coast line. The remainder of the day will be spent
painting in Stanley. Tonight we will enjoy an
included dinner.
DAY 4 Sunday 4 February, 2024
Smithton
A full day of painting in North West Tasmania.
Tonight we will enjoy an included dinner.
DAY 5 Monday 5 February, 2024
Strahan
Today we travel onto Strahan. Strahan is a pretty
little port on Macquarie Harbour and the only
town on Tasmania’s forbidding West Coast.
Originally a Huon pine timber milling town its
growth was boosted by the copper boom at the
Mt Lyell mine. When the Strahan Zeehan railway
opened in 1892 it became a busy port. Today it
handles freight to and from Queenstown and is
used by crayfish, abalone and shark fishermen.
Tonight we will enjoy an included dinner.
DAY 6 Tuesday 6 February, 2024
Strahan
This morning John will find a great painting
location in Strahan and complete a
demonstration. Following this, John will assist
individual workshop members with their painting.
Tonight we will enjoy an included dinner.
DAY 7 Wednesday 7 February, 2024
Strahan
This morning we will cruise on the world famous
Gordon River. While on the cruise you will enjoy
an included lunch. The ancient, mirror like waters of the Gordon River meander down from
their source in the Central Highlands, through
a breathtaking World Heritage river cape of
temperate rainforest and mountain crag, to the
mouth of Macquarie Harbour. The Macquarie
Harbour is more than 110 square miles of natural,
protected water surrounding the crumbling
history of Sarah Island and gives way to the open
ocean through the narrow and turbulent Hell’s
Gates. You will see Hell’s Gate where the harbour
opens to the Southern Ocean, Tasmania’s
world-renowned salmon farms, and you’ll visit
notorious Sarah Island, the feared penal colony.
This will be a wonderful photo and sketching
opportunity for you. Tonight we will enjoy an
included dinner.
DAY 8 Thursday 8 February, 2024
Hobart
We say farewell to Strahan as we head towards
Hobart, we will stop at The Wall in the Wilderness
near Derwent Bridge. It is Australia’s most
ambitious art project undertaken in recent years.
By 2015 creator/designer, Greg Duncan plans to
carve the history of the highlands in 100 metres
of timber, most of which will be in our rare Huon
Pine. We then continue our journey on to Hobart.
DAY 9 Friday 9 February, 2024
Hobart
Today we will enjoy a full day of painting in
beautiful Hobart with John Lovett. The group will
paint the 19th century waterfront warehouses
for which the city is famous. The warehouses
were once busy with whalers, soldiers, petty
bureaucrats and opportunist businessmen, now
they house cafes, restaurants and studios and
bustle with shoppers and visitors. In the afternoon,
we will enjoy a valuable critique session.
DAY 10 Saturday 10 February, 2024
Hobart
Today we travel to the riverside township of
Franklin for a full day of painting. There is a lot of old-fashioned Tasmanian charm in Franklin, from
the quaint historic buildings and streetscape to the
pretty wooden boats floating on the Huon River.
Located in the ultra-scenic Huon Valley, Franklin is
the oldest township in the region and sits quietly
on the western side of the beautiful Huon River.
DAY 11 Sunday 11 February, 2024
Hobart
Today we will travel to Port Arthur for a full day
of sightseeing and sketching. Between 1830
and 1877 about 12,500 transported convicts
were imprisoned at Port Arthur, on the shores
of a beautiful bay and set against the tranquil
hills and forest of the Tasman Peninsula. Many
of the sandstone prison buildings remain and
have been preserved. On arrival we will have a
tour of the prison giving you an impression of
what life might have been like in the 1800s for
the convicts, soldiers and civilians. After lunch,
there will be time for sketching. We will return to
Hobart in the afternoon.
DAY 12 Monday 12 February, 2024
Hobart
This morning we will travel to Richmond, a
beautiful old town with Georgian cottages of
mellow sandstone standing in pretty cottage gardens. Ducks on the Coal River swim to and fro
under Australia’s oldest bridge, built by convict
labour between 1823/25. In late 2005, the Bridge
was recognised as one of Australia’s outstanding
historic places and added to the National Heritage
List. John will demonstrate how to capture
the beauty of this picturesque area and assist
workshop members with their painting. This
afternoon there will be a final critique sessions
followed by included farewell drinks and dinner.
DAY 13 Tuesday 13 February, 2024
Hobart
This morning we will say farewell to Hobart and
travel to Hobart airport to meet midday flights.
TWIN FARE PER PERSON | SINGLE FARE | NON PAINTER DISCOUNT |
---|---|---|
AU$5,695 | AU$6,985 | AU$250 |
1. Payment Conditions:
A reservation deposit of $500 per person is required at the
time of booking. Final payment is due 60 days prior to the
date of departure.
2. Alteration to Workshop Vacation Price:
The Painting Workshop Vacation price is subject to change
in the event of unforeseen circumstances and changes in
the cost of travel and accommodation services. Should any
increase in the Workshop Vacation price be unacceptable
to the registered member, a full refund of monies paid will
be made.
3. Cancellation and Amendments:
* Cancellation conditions don’t apply for clients with future cruise/tour credits. Cruise/tour credits are non-refundable.
Cancellations received in writing 60 or more days from the
date of departure will result in a cancellation fee of $500
per person. Cancellations received 60 or fewer days before
departure will result in a loss of all monies paid. There are
no refunds for services not utilized while on a Workshop
Vacation. Travel insurance is highly recommended to cover
Workshop members for the consequences of unforeseen
events during the Workshop Vacation and for cancellation
fees that could result from illness, accident, death or other
contingencies. Once a booking has been confirmed, one
amendment to travel arrangements will be made free-of
charge. Subsequent changes to travel arrangements will incur
an amendment fee of $75 per change in addition to supplier
charges.
4. Minimum Workshop Vacation Numbers:
Each Painting Workshop Vacation has been priced on the
basis of a minimum number of members travelling. In the event that fewer than the minimum number of members
have confirmed their booking 60 days from the date of
commencement, Travelrite International reserves the right to
cancel the Workshop Vacation, giving a full refund of monies
paid, or to offer arrangements to proceed with the Workshop
Vacation at a modified price.
5. General:
In the unlikely event that the Workshop tutor is unable to
perform his or her duties due to unforeseen contingencies,
Travelrite International reserves the right to substitute
another artist as tutor or to continue with the Workshop
Vacation as planned or to provide a cash refund to Workshop
members equivalent to the value of the Workshop leadership.
International Artist Painting Workshops can involve a
considerable amount of walking and stair-climbing in the
regions visited and it is important that all members have a
level of physical fitness that allows them to take part in these
activities without the need of assistance from others.
6. Tax Considerations:
If you regularly sell your own paintings, you may fall into
the semi-professional or professional category for taxation
purposes and the tour cost may be tax-deductible. We
recommend that you seek the advice of a qualified tax
adviser.
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no responsibilities are accepted for any damage or delay due
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rerouting or acts of any government or authority. Baggage
remains at owner’s risk throughout the Workshop Vacation.
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issued, shall constitute the sole contract between the carriers
and the purchasers of these Painting Workshop Vacations
and/or the passengers. The right is reserved to withdraw any
Painting Workshop Vacation and/or to make such changes in
the Painting Workshop Vacation as may be found desirable
for the convenience of the parties and the proper carryingout
of the Painting Workshop Vacation. Registration for any
Painting Workshop Vacation constitutes a contract which
shall be construed in accordance with the laws of the State of
Victoria, Australia and any legal action must be taken in the
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How to Book:
Bookings can be made by completing the online booking
form at www.paintingworkshops.net or sending the booking
form with a deposit to:
Melbourne, Australia
Travelrite International Pty Ltd
Address: 423 Whitehorse Road
Balwyn, VIC, 3103, Australia
Toll Free: 1800 630 343
Phone: 03 9836 2522
Email: www.paintingworkshops.net
“It was so well organized. We got to see all the best places, but without feeling we were being herded around like cattle, like you do on some tours. There was plenty of time to paint, and the instructor told me more about how to improve my painting style in weeks than I have learned all year back home. I really did get individual attention.”
“I particularly enjoyed meeting people with similar interests and having a working reason for being in a location.”