EMAIL[email protected]
Antoinette has been painting in watercolour for over 30 years and is a respected teacher and judge in the medium. Her work reflects a commitment to strong composition, while capturing the emotion and atmosphere of the scene before her. A passionate and experienced artist, Antoinette has exhibited and sold her work widely, with her paintings held in private collections across Australia, New Zealand, and Europe. In recent years, she has returned to Britain and Europe – building on earlier visits – to seek inspiration from the architecture and picturesque landscapes of European towns and British villages. Throughout her career, Antoinette has received numerous awards for her watercolours and is particularly renowned for her exquisite still life and floral paintings.
DAY 1: Thursday 5 February 2026 Launceston
Join us at 6:00 pm at our hotel in Launceston, where your Tour
Manager will warmly welcome workshop members. Enjoy
welcome drinks, followed by a delightful, included dinner. It is
the perfect chance to mingle and be acquainted with your fellow
artists. Passengers wishing to arrive earlier please speak to your
Travelrite consultant.
DAY 2: Friday 6 February 2026 Launceston
Today, we travel to Longford, a town rich in history and old-world
charm. Its main street is adorned with beautifully preserved
convict-era buildings, while grand estates on the outskirts offer
a glimpse into Tasmania’s storied past. With its timeless appeal
and picturesque surroundings, Longford sets the perfect stage
for Antoinette’s first painting session, where the blend of history
and natural beauty provides boundless inspiration.
DAY 3: Saturday 7 February 2026 Launceston
Today, we’re off to Evandale for a full day of painting, surrounded
by charming heritage buildings, rolling countryside, and timeless
inspiration.
DAY 4: Sunday 8 February 2026 St Helens
Today, we travel to Scottsdale for a painting session in this quaint
and charming town, nestled at the foot of the majestic Blue Tier
Mountains. Surrounded by rolling hills and fertile landscapes,
Scottsdale offers a breathtaking view of fields adorned with
poppy crops, and lush forestry. The natural beauty of the area
will provide endless inspiration, making it the perfect backdrop
for today’s painting session. We then travel to St Helens, the
largest town on Tasmania’s northeast coast, located on the
picturesque Georges Bay. St Helens serves as the gateway
to the world-renowned Bay of Fires, known for its pristine
beaches and vibrant orange-hued granite rocks. Life in St Helens
revolves around the ocean, and the town offers an abundance
of natural beauty. With its stunning beaches, tranquil bays, and
meandering estuaries, it is an artist’s paradise. As the day draws
to a close, we will gather for an included dinner, celebrating the
local flavours and the incredible landscapes that surround us.
DAY 5: Monday 9 February 2026 St Helens
Antoinette will start the painting session in St Helens this
morning with a demonstration, showcasing her unique
techniques and approach. Afterward, she will offer personalised
guidance, providing one-on-one support to each participant as
they develop their pieces. In the afternoon, there will be time
to put the finishing touches on your work before we gather for a
constructive critique session.
DAY 6: Tuesday 10 February 2026 St Helens
Today we travel to the Bay of Fires and Binnalong Bay for a
day of painting. The Bay of Fires is famous for its crystal-clear
waters, white sandy beaches and orange lichen-covered granite
boulders and is one of Tasmania’s most popular conservation
reserves. The Bay of Fires extends along the coast from Binalong
Bay in the south to Eddystone Point in the north. Its name refers
to the Aboriginal fires spotted by Captain Tobias Furneaux when
he sailed past in 1773, but it could also apply to the brilliant
orange lichen that grows on the granite boulders lining the bay.
DAY 7: Wednesday 11 February 2026 Hobart
Today, we set off on a scenic journey to Swansea, a charming
coastal town surrounded by breathtaking natural beauty. With
its pristine beaches, lush landscapes, and serene waterways,
Swansea offers a peaceful retreat that is perfect for inspiration.
Antoinette will undoubtedly find the ideal subject for her
morning painting session, whether it is the rolling hills, the
coastline, or the tranquil waters of Great Oyster Bay. After
immersing ourselves in the beauty of Swansea, we will continue
our adventure southward, heading toward Hobart for the
next exciting chapter of our journey.
DAY 8: Thursday 12 February 2026 Hobart
Today we will enjoy a full day of painting in beautiful Hobart with Antoinette.
The group will paint the 19th century waterfront warehouses for which the city is famous.
The warehouses were once busy with whalers, soldiers, petty bureaucrats and opportunist businessmen,
now they house cafes, restaurants and studios and bustle with shoppers and visitors.
In the afternoon, we will enjoy a valuable critique session.
DAY 9: Friday 13 February 2026 Hobart
Today we travel to the riverside township of Franklin for a full day of painting.
There is a lot of old-fashioned Tasmanian charm in Franklin, from the quaint historic buildings and
streetscape to the pretty wooden boats floating on the Huon River. Located in the ultra-scenic Huon Valley,
Franklin is the oldest township in the region and sits quietly on the western side of the beautiful Huon River.
DAY 10: Saturday 14 March 2026 Hobart
Today is Salamanca Market Day in Hobart, a vibrant and bustling event that attracts locals and tourists alike.
With its unique blend of artisan goods, fresh produce, handcrafted treasures, and local food stalls,
the market offers an abundance of inspiration for any artist.
Antoinette will find a wealth of fascinating subjects for her painting session,
from the colourful market stalls to the lively atmosphere and diverse crowd.
Whether it is the historic sandstone buildings of Salamanca Place or the beautiful natural surroundings of the waterfront,
there is no shortage of stunning scenes to capture.
DAY 11: Sunday 15 February 2026 Hobart
Today, we journey to Cygnet, a charming town nestled in the heart of the Huon Valley,
known for its vibrant arts community and breathtaking scenery. Upon arrival,
we will join Antoinette for a painting session, where her guidance, combined with the town’s tranquil beauty, will inspire our creativity.
DAY 12: Monday 16 February 2026 Hobart
This morning, we will travel to Richmond, a beautiful old town with Georgian cottages of mellow sandstone standing in pretty cottage gardens.
Ducks on the Coal River swim to and fro under Australia’s oldest bridge, built by convict labour between 1823/25.
In late 2005, the Bridge was recognised as one of Australia’s outstanding historic places and added to the National Heritage List.
Antoinette will demonstrate how to capture the beauty of this picturesque area and assist workshop members with their painting.
This afternoon there will be a final critique session followed by included farewell drinks and dinner.
DAY 13: Tuesday 17 February 2026 Hobart
This morning, we will say farewell to Hobart and travel to Hobart airport to meet midday flights.
| TWIN FARE PER PERSON | SINGLE FARE |
|---|---|
| $5,450 | $6,845 |
| NON PAINTER DISCOUNT | $250 |
1. Payment Conditions:
A reservation deposit of $500 per person is required at the time of booking.
Final payment is due 60 days prior to the date of departure.
A 1.5% administration charge will be added to payments by Visa, Mastercard and Amex.
2. Alteration to Workshop Vacation Price:
The Painting Workshop Vacation price is subject to change in the event of unforeseen circumstances
and changes in the cost of travel and accommodation services.
Should any increase in the Workshop Vacation price be unacceptable to the registered member,
a full refund of monies paid will be made.
3. Cancellation and Amendments:
Cancellations received in writing 60 or more days from the date of departure will result in a cancellation fee of $500 per person.
Cancellations received 60 or fewer days before departure will result in a loss of all monies paid.
There are no refunds for services not utilized while on a Workshop Vacation.
Travel insurance is highly recommended to cover Workshop members for the consequences of unforeseen events during the
Workshop Vacation and for cancellation fees that could result from illness, accident, death or other contingencies.
Once a booking has been confirmed, one amendment to travel arrangements will be made free-of charge.
Subsequent changes to travel arrangements will incur an amendment fee of $25 per change in addition to supplier charges.
4. Minimum Workshop Vacation Numbers:
Each Painting Workshop Vacation has been priced on the basis of a minimum number of members travelling.
In the event that fewer than the minimum number of members have confirmed their booking 60 days from the date of commencement,
Travelrite International reserves the right to cancel the Workshop Vacation,
giving a full refund of monies paid, or to offer arrangements to proceed with the Workshop Vacation at a modified price.
5. General:
In the unlikely event that the Workshop tutor is unable to perform his or her duties due to unforeseen contingencies,
Travelrite International reserves the right to substitute another artist as tutor or to continue with the
Workshop Vacation as planned or to provide a cash refund to Workshop members equivalent to the value of the Workshop leadership.
International Artist Painting Workshops can involve a considerable amount of walking and stair-climbing in the regions
visited and it is important that all members
have a level of physical fitness that allows them to take part in these activities without the need of assistance from others.
6. Tax Considerations:
If you regularly sell your own paintings, you may fall into the semi-professional or professional category for
taxation purposes and the tour cost may be tax-deductible.
We recommend that you seek the advice of a qualified tax adviser.
7. Responsibilities:
Travelrite International Pty Ltd., their agents, officers, affiliates, and/or suppliers of services pursuant
to or in connection with these Workshop Vacations shall act only as agents in making arrangements for hotels,
transportation, restaurants, or any other service and do not assume any liability whatsoever for any injury,
damage, death, loss, accident or delay to person or property due to an act of negligence or of default of any hotel,
carrier, restaurant, company or person rendering any services included in the Workshops, or by act of God. Further,
no responsibilities are accepted for any damage or delay due to sickness, pilferage, labor disputes, machinery breakdown,
quarantine, government restraints, weather, terrorism, or other causes beyond their control. No responsibility is accepted
for any additional expenses, omissions, delays, rerouting or acts of any government or authority.
Baggage remains at owner’s risk throughout the Workshop Vacation. The passage contract in use by the carriers concerned,
when issued, shall constitute the sole contract between the carriers and the purchasers of these Painting Workshop Vacations
and/or the passengers. The right is reserved to withdraw any Painting Workshop Vacation and/or to make such changes
in the Painting Workshop Vacation as may be found desirable for the convenience of the parties and the proper carrying-out
of the Painting Workshop Vacation. Registration for any Painting Workshop Vacation constitutes a contract which shall
be construed in accordance with the laws of the State of Victoria,
Australia and any legal action must be taken in the State of Victoria.
How to Book:
Bookings can be made by completing the online booking form or sending it with a deposit to:
Melbourne, Australia
Travelrite International Pty Ltd
Address: 423 Whitehorse Ro
Balwyn, VIC, 3103, Australia
Toll Free: 1800 630 343
Phone: 03 9836 2522
Email: [email protected]
www.paintingworkshops.net
“It was so well organized. We got to see all the best places, but without feeling we were being herded around like cattle, like you do on some tours. There was plenty of time to paint, and the instructor told me more about how to improve my painting style in weeks than I have learned all year back home. I really did get individual attention.”
“I particularly enjoyed meeting people with similar interests and having a working reason for being in a location.”
